One Parent’s Point of View

Nowhere in Particular RA

I wasn’t going to write a post in reaction to Richard’s involvement with Cybersmile and the things that he’s said in the interview, blog post, and tweets relating to it. I understood what he was saying and can appreciate the points he was trying to make, so although some fans were upset by his words, I wasn’t one of them. now don’t get me wrong, I’ve been reading the opposing blog posts and comments in regards to this subject and I think they all have merit, the issues they are bringing forth are sound and worth discussing; I just don’t think Richard was necessarily talking to us. we’re not why he’s doing this.

I have a 10 year old daughter–she’ll turn 11 this summer (a Leo, like Richard), so she’s one of the youngest in her upcoming 6th grade class. I think she’s the target audience for these…

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New Experimental Drama Takes West End by Storm – “The Stage Door”

Guylty Pleasure

Review: “The Stage Door”

New Experimental Drama Takes West End by Storm

by Guylty Pleasure

Experimental drama has the habit of being, well, experimental. It is hard to tell nowadays where reality starts and fiction begins. A new experimental drama that is mid-way through its eleven week-run in London’s West End is braving new ways in bringing the reality of modern life to the audience. Never-seen-before stage management, audience involvement and improvisation methods are making this innovative new work the must-see performance of the season. And best of all – it’s unticketed and free in.

The Stage Door

Devised and staged by impressive director/writer/lead actor Richard Armitage, the play opens to a street scene on a balmy summer evening in central London. The seemingly calm and peaceful scene is cosily illuminated by street lights, accentuated with the warm glow of the orange “stage door” orb. Sparsely furnished with the occasional car and a…

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